Igor Stravinsky

Igor Fyodorovich Stravinsky (Rọ́síà: Игорь Фёдорович Стравинский, Igor' Fjodorovič Stravinskij) (17 June [O.S. 5 June] 1882 – 6 April 1971) jẹ́ olu ọ̀kọrin, atẹdùrù, àti Adarí orin ọmọ orílẹ̀-èdè Rọ́ṣíà, ó gbajúmọ̀ gẹ́gẹ́ bí ọ̀kan nínú Ọ̀kọrin tí ó nípa jùlọ nínú orin ní sẹ̀ńtúrì ogún tó kọjá.

Igor Stravinsky

Awon itokasi

• Adorno, Theodor. 1973. Philosophy of Modern Music. Translated by Anne G. Mitchell and Wesley V. Blomster. New York: Continuum. ISBN 0-8264-0138-4 Original German edition, as [Philosophie der neuen Musik] . Tübingen: J. C. B. Mohr, 1949.
• Anonymous. 1940. "Musical Count". Time Magazine (Monday, March 11).
• Berry, David Carson. 2006. "Stravinsky, Igor." Europe 1789 to 1914: Encyclopedia of the Age of Industry and Empire, editors-in-chief John Merriman and Jay Winter, 4:2261–63. Detroit: Charles Scribner’s Sons.
• Berry, David Carson. 2008. "The Roles of Invariance and Analogy in the Linear Design of Stravinsky's 'Musick to Heare.'" Gamut 1/1. Accessible at [1] Archived 2009-04-09 at the Wayback Machine..
• Blitzstein, Marc. 1935. "The Phenomenon of Stravinsky". Musical Quarterly 21, no. 3 (July): 330–47. Reprinted 1991, Musical Quarterly 75, no. 4 (Winter): 51–69.
• Browne, Andrew J. 1930. "Aspects of Stravinsky's Work". Music & Letters 11, no. 4 (October): 360–66. Online link accessed 2007-11-19 (subscription access)
• Cocteau, Jean. 1918. Le Coq et l'arlequin: notes de la musique. Paris: Éditions de la Sirène. Reprinted 1979, with a preface by Georges Auric. Paris: Stock. ISBN 2-234-01081-0 English edition, as Cock and Harlequin: Notes Concerning Music, translated by Rollo H. Myers, London: Egoist Press, 1921.
• Cohen, Allen. 2004. Howard Hanson in Theory and Practice. Westport, Conn.: Praeger Publishers. ISBN 0-313-32135-3
• Copland, Aaron. 1952. Music and Imagination. Cambridge, Massachusetts: Harvard University Press.
• Craft, Robert. 1993. Stravinsky: Glimpses of a Life, St Martins Press.
• Craft, Robert. 1997. Stravinsky: Chronicle of a Friendship. Vanderbilt University Press.
• Dubal, David. 2001. The Essential Canon of Classical Music. New York: North Point Press.
• Eksteins, Modris. 1989. Rites of Spring: The Great War and the Modern Era. Boston: Houghton Mifflin Company. ISBN 0-395-49856-2 (Reprinted 1990, New York: Anchor Books ISBN 0-385-41202-9; reprinted 2000, Boston: Mariner Books ISBN 0-395-93758-2)
• Glass, Philip. 1998. “Igor Stravinsky” Time (Monday, 8 June).
• Greene, David Mason (1985). Biographical Encyclopaedia of Composers. New York: Doubleday.
• Holland , Bernard. 2001. "Stravinsky, a Rare Bird Amid the Palms: A Composer in California, at Ease if Not at Home", The New York Times (11 March).
• Lambert, Constant. 1936. Music Ho! A Study of Music in Decline. New York: Charles Scribner's Sons.
• Lawson, Rex. 1986. Stravinsky and the Pianola, in Confronting Stravinsky, ed. Pasler. Los Angeles: University of California Press. ISBN 0-520-05403-2.
• Lehrer, Jonah. 2007. Igor Stravinsky and the Source of Music, in his Proust Was a Neuroscientist. Boston: Houghton Mifflin Co. ISBN 0-618-62010-9.
• Page, Tim. 2006. "Classical Music: Great Composers, a Less-Than-Great Poser and an Operatic Impresario". Washington Post (Sunday, 30 July): BW13.
• Robinson, Lisa. 2004. "Opera Double Bill Offers Insight into Stravinsky's Evolution". The Juilliard Journal Online 19, no. 7 (April). (No longer accessible as of March 2008.)
• Siegmeister, Elie (ed.). 1943. The Music Lover's Handbook. New York:William Morrow and Company.
• Slonimsky, Nicolas. 1953. Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time. New York: Coleman-Ross. Second edition, New York: Coleman-Ross, 1965, reprinted Washington Paperbacks WP-52, Seattle: University of Washington Press, 1969, reprinted again Seattle: University of Washington Press, 1974 ISBN 0-295-78579-9, and New York: Norton, 2000 ISBN 0-393-32009-X (pbk).
• Straus, Joseph N. 2001. Stravinsky's Late Music. Cambridge Studies in Music Theory and Analysis 16. Cambridge, New York, Port Melbourne, Madrid, and Cape Town: Cambridge University Press. ISBN 0-521-80220-2 (cloth) ISBN 0-521-60288-2 (pbk)
• Stravinsky, Igor. 1936. Chronicle of My Life. London: Gollancz. Reprinted as An Autobiography (1903–1934). London: Marion Boyars, 1990. ISBN 0-7145-1082-3. Reprinted, New York: W. W. Norton & Co., 1998. ISBN 0-393-31856-7.
• Stravinsky, Igor, and Robert Craft. 1959. Conversations with Igor Stravinsky. Garden City, NY: Doubleday. OCLC 896750 Reprinted Berkeley: University of California Press, 1980. ISBN 0-520-04040-6
• Stravinsky, Igor, and Robert Craft. 1962. Expositions and Developments. London: Faber & Faber.
• Stravinsky, Igor, and Robert Craft. 1960. Memories and Commentaries. Garden City, N.Y.: Doubleday. Reprinted 1981, Berkeley and Los Angeles: University of California Press. ISBN 0-520-04402-9 Reprinted 2002, London: Faber and Faber. ISBN 0-571-21242-5
• Stravinsky, Théodore, and Denise Stravinsky. 2004. Catherine and Igor Stravinsky: A Family Chronicle 1906–1940. New York: Schirmer Trade Books; London: Schirmer Books. ISBN 0-8256-7290-2
• Taruskin, Richard. 1996. Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Two vols. Berkeley: University of California Press. ISBN 0-520-07099-2
• Volta, Ornella. 1989. Satie Seen through His Letters. London: Boyars. ISBN 0-7145-2980-X.
• Wallace, Hellen. 2007. Boosey & Hawkes, The Publishing Story. London: Boosey & Hawkes. ISBN 978-0-85162-514-0.
• Walsh, Stephen. 2000. Stravinsky. A Creative Spring: Russia and France 1882–1934. London: Jonathan Cape.
• Walsh, Stephen. 2001. "Stravinsky, Igor." New Grove Dictionary of Music and Musicians, 2nd edition. London: MacMillian.
• Wenborn, Neil. 1985. Stravinsky. London: Omnibus Press. ISBN 0-7119-7651-1.
• Zappa, Frank, and Peter Occhiogrosso. 1989. The Real Frank Zappa Book. New York: Poseidon Press. ISBN 0-671-63870-X (reprinted twice in 1990, New York: Fireside Books, ISBN 0-671-70572-5 and New York: Picador Books ISBN 0-330-31625-7)

Ikawe miran

• Cross, Jonathan (1999). The Stravinsky Legacy. Cambridge: Cambridge University Press. ISBN 9780521563659. 
• Joseph, Charles M. (2001). Stravinsky Inside Out. New Haven: Yale University Press. ISBN 0300075375. 
• Joseph, Charles M. (2002). Stravinsky and Balanchine, A Journey of Invention. New Haven: Yale University Press. ISBN 0-300-08712-8. 
• Kohl, Jerome (1979–80). "Exposition in Stravinsky's Orchestral Variations". Perspectives of New Music 18 (1/2): 391–405. doi:10.2307/832991. http://links.jstor.org/sici?sici=0031-6016(197923%2F198022)18%3A1%2F2%3C391%3AEISOV%3E2.0.CO%3B2-5. Retrieved 2007-11-19. (subscription access)
• Kundera, Milan; Asher, Linda (translator) (1995). Testaments Betrayed: An Essay in Nine Parts. New York: HarperCollins. ISBN 0060171456. 
• Kuster, Andrew T. (2005). Stravinsky's Topology (Univ. of Colorado, Boulder D.M.A. Dissertation ed.). Morrisville, NC: Lulu.com. ISBN 1411664582. 
• Stravinsky, Igor (1947). Poetics of Music in the Form of Six Lessons. Cambridge, MA: Harvard University Press. OCLC 155726113. 
• White, Eric Walter (1979). Stravinsky: The Composer and His Works (Second edition ed.). Berkeley and Los Angeles: University of California Press. ISBN 0520039831. 
• Wallace, Helen (2007). Boosey & Hawkes, The Publishing Story. London: Boosey & Hawkes Music Ltd. ISBN 9780851625140.