Juliette Binoche (ìpè Faransé: [ʒyljɛt binɔʃ]; tí wọ́n bí ní ọjọ́ kẹsàn-án oṣù kẹ́ta, ọdún 1964) jẹ́ Òṣèrè àti Oníjó Faransé. Ó ṣe àfihàn ní fíìmù bíi ọgọ́ta tí wọ́n pè é sí àti wí pé ó tún jẹ́ ẹni tó gba àwọn àwọ́ọ̀dù bíi Àwọ́ọ̀dù Akadẹ́mì, British Academy Film Award, Silver Bear, Cannes Film Festival Award, Volpi Cup àti César .
Binoche bẹ̀rẹ sí ní má kọ́ bí wọ́n ṣe máa ń ṣe eré ní ọ̀dọ́ . Lẹ́yìn ọ̀pọ̀lọpọ̀ eré tó ṣe lórí ìtàgé, orúkọ rẹ̀ wa nínu fíìmù tí gbogbo ènìyàn mọ̀ síauteur tí Jean-Luc Godard jẹ́ atọ́kùn rẹ̀ (Hail Mary, 1985), Jacques Doillon (Family Life, 1985), ati André Téchiné; tí eré ìgbẹ̀yìn yìí jẹ́ kó di gbajúgbajà ní Faransé tí ó fi jẹ́ kí ó di olórí Òṣèrè ní eré oníṣe Rendez-vous (1985). Eré àkọ́kọ́ tó jẹ́ ti Gẹ̀ẹ́sì tó ṣe The Unbearable Lightness of Being (1988), tí eré yìí jẹ́ kó di ènìyàn tí àwọn ènìyàn púpọ̀ wá mọ̀. Lẹ́yìn náà eré tó kópa Krzysztof Kieślowski tí orúko eré náà ń jẹ́ Three Colours: Blue (1993).
Nígbà ọdún 2000, Ó ti wà nípò ẹni tó ti ṣe àṣeyọrí tí kò dẹ̀ fẹ́ kó bọ. Bí ó ṣe ń ṣe eré Gẹ̀ẹ́sì náà lọ ń ṣe ti Faransé. Ní ọdún 2010, Ó gba àwọ́ọ̀dù fún Òṣèrè tó dára jùlọ lóbìnrin ní Cannes Film Festival fún ipa rẹ́ gẹ́gẹ́ bí Abbas Kiarostami ní eré tí orúkọ rẹ̀ ń jẹ́ Certified Copy. Wọ́n tún fún ní àwọ́ọ̀dù Maureen O'Hara Award ní Kerry Film Festival ní ọdún 2010, àwọ́ọ̀dù tó jẹ́ wí pé obìnrin tó bá ṣe àṣeyọrí ní isẹ́ Òṣèrè nìkan ló má fún .[1]
Year
|
Title
|
Role
|
Director
|
Notes
|
1983
|
Liberty belle
|
Girl at the rally
|
Pascal Kané
|
|
1985
|
Le Meilleur de la vie
|
Veronique's friend
|
Renaud Victor
|
|
Farewell Blaireau
|
Brigitte
|
Bob Decout
|
|
Rendez-vous
|
Nina/Anne Larrieux
|
André Téchiné
|
|
Family Life
|
Natacha
|
Jacques Doillon
|
|
Nanas, LesLes Nanas
|
Antoinette
|
Annick Lanoë
|
|
Hail Mary
|
Juliette
|
Jean-Luc Godard
|
|
1986
|
Mauvais Sang
|
Anna
|
Leos Carax
|
|
My Brother-in-Law Killed My Sister
|
Esther Bouloire
|
Jacques Rouffio
|
|
1988
|
Unbearable Lightness of Being, TheThe Unbearable Lightness of Being
|
Tereza
|
Philip Kaufman
|
|
1989
|
tour de manège, UnUn tour de manège
|
Elsa
|
Pierre Pradinas
|
|
1991
|
Amants du Pont-Neuf, LesLes Amants du Pont-Neuf
|
Michèle Stalens
|
Leos Carax
|
|
1992
|
Damage
|
Anna Barton
|
Louis Malle
|
|
Emily Brontë's Wuthering Heights
|
Cathy Linton / Catherine Earnshaw
|
Peter Kosminsky
|
|
1993
|
Three Colors: Blue
|
Julie Vignon de Courcy
|
Krzysztof Kieślowski
|
|
1994
|
Three Colors: White
|
Julie Vignon de Courcy
|
|
Three Colors: Red
|
Julie Vignon de Courcy
|
|
1995
|
Horseman on the Roof, TheThe Horseman on the Roof
|
Pauline de Théus
|
Jean-Paul Rappeneau
|
|
1996
|
English Patient, TheThe English Patient
|
Hana
|
Anthony Minghella
|
|
Couch in New York, AA Couch in New York
|
Beatrice Saulnier
|
Chantal Akerman
|
|
1998
|
Alice and Martin
|
Alice
|
André Téchiné
|
|
1999
|
Children of the Century
|
George Sand
|
Diane Kurys
|
|
2000
|
Chocolat
|
Vianne Rocher
|
Lasse Hallström
|
|
Code Unknown
|
Anne Laurent
|
Michael Haneke
|
|
Widow of Saint-Pierre, TheThe Widow of Saint-Pierre
|
Pauline
|
Patrice Leconte
|
|
2002
|
Jet Lag
|
Rose
|
Danièle Thompson
|
|
2004
|
In My Country
|
Anna Malan
|
John Boorman
|
|
2005
|
Mary
|
Marie Palesi/Mary Magdalene
|
Abel Ferrara
|
|
Bee Season
|
Miriam
|
Scott McGehee
|
|
Caché
|
Anne Laurent
|
Michael Haneke
|
|
2006
|
Breaking and Entering
|
Amira
|
Anthony Minghella
|
|
Few Days in September, AA Few Days in September
|
Irène Montano
|
Santiago Amigorena
|
|
Paris, je t'aime
|
Suzanne
|
Nobuhiro Suwa
|
Segment: "Place des Victoires"
|
2007
|
Dan in Real Life
|
Marie
|
Peter Hedges
|
|
Disengagement
|
Ana
|
Amos Gitai
|
|
Flight of the Red Balloon
|
Suzanne
|
Hou Hsiao-hsien
|
|
2008
|
Paris
|
Elise
|
Cédric Klapisch
|
|
Summer Hours
|
Adrienne
|
Olivier Assayas
|
|
Shirin
|
Woman in audience
|
Abbas Kiarostami
|
|
2010
|
Certified Copy
|
Elle
|
|
2011
|
The Son of No One
|
Loren Bridges
|
Dito Montiel
|
|
Elles
|
Anne
|
Małgorzata Szumowska
|
|
2012
|
Cosmopolis
|
Didi Fancher
|
David Cronenberg
|
|
Another Woman's Life
|
Marie Speranski
|
Sylvie Testud
|
|
An Open Heart
|
Mila
|
Marion Laine
|
|
2013
|
Camille Claudel 1915
|
Camille Claudel
|
Bruno Dumont
|
|
A Thousand Times Good Night
|
Rebecca
|
Erik Poppe
|
|
2014
|
Words and Pictures
|
Dina Delsanto
|
Fred Schepisi
|
|
Godzilla
|
Sandra Brody
|
Gareth Edwards
|
|
Clouds of Sils Maria
|
Maria Enders
|
Olivier Assayas
|
|
2015
|
The 33
|
María Segovia
|
Patricia Riggen
|
|
7 Letters
|
Elle
|
Eric Khoo
|
Segment "Cinema"; cameo[2]
|
Endless Night
|
Josephine Peary
|
Isabel Coixet
|
|
The Wait
|
Anna
|
Piero Messina
|
|
2016
|
Slack Bay
|
Aude Van Peteghem
|
Bruno Dumont
|
|
Polina
|
Liria Elsaj
|
Valérie Müller
Angelin Preljocaj
|
|
2017
|
Ghost in the Shell
|
Dr. Ouelet
|
Rupert Sanders
|
|
Baby Bumps
|
Mado
|
Noémie Saglio
|
|
Let the Sunshine In
|
Isabelle
|
Claire Denis
|
|
2018
|
High Life
|
Dr. Dibs
|
|
Vision
|
Jeanne
|
Naomi Kawase
|
|
Non-Fiction
|
Selena
|
Olivier Assayas
|
|
2019
|
Who You Think I Am
|
Claire Millaud
|
Safy Nebbou
|
|
The Truth
|
Lumir
|
Hirokazu Kore-eda
|
|
2020
|
How to Be a Good Wife
|
Paulette Van der Beck
|
Martin Provost
|
|
2021
|
Between Two Worlds
|
Marianne Winckler
|
Emmanuel Carrère
|
|
2022
|
Both Sides of the Blade
|
Sara
|
Claire Denis
|
|
Paradise Highway
|
Sally
|
Anna Gutto
|
|