Remi Vaughan-Richards

Remi Vaughan-Richards jè oníṣe fíìmù ọmọ Nàìjíríà.

Igbesi ayè ibẹrẹ ati ẹkọ

A bi Remi ní Naijiria,^[1] ọkan ninu awọn ọmọ mẹrin ti a bi si Alan Richards ayaworan ile Gẹẹsi (1925 -1989) ^[2] ati Ayo Vaughan (1928-1993), olukọni nọọsi ti o ṣẹda Ile-iwe Nọọsi ti Ipinle Eko. Ayo jẹ lati idile Eko olokiki kan ti baba-nla rẹ jẹ alamọdaju Amẹrika ti ọrundun 19th Scipio Vaughan.^[3] Gbogbo awọn ọmọ ẹbi naa lo orukọ-idile ti a sọ di Vaughan-Richards.^[4] Baba baba rẹ iya jẹ aristocrat Lagos Taiwo Olowo.^[5]^[6]

O lọ sí Ile-ẹkọ giga Kingston ati Royal College of Art ni Ilu Lọndọnu.^[7]

Iṣẹ-ṣiṣé

Vaughan-Richards bẹrẹ iṣẹ ṣiṣé fiimu rè ni ẹka iṣẹ ọna, nibiti o ti ṣiṣẹ lori iru awọn fiimu bii Judge Dredd (1995) ati Eyes Wide Shut (1999).^[8]

Ni ọdun 2020, Remi Vaughan-Richards pari iwe ítan “The Lost Legacy of Bida Bikini” eyiti o wa ni bayi patapata lori oju opo wẹẹbu Ile ọnọ Ilu Gẹẹsi. Remi Vaughan-Richards ara ti ise pẹlu Wetin Dey fun BBC World Service Trust; "Laraba's World" fun MoFilm (UK) / Unilever; Igbesẹ kekere kan ; “Awọn Iṣura Farasin” jara lori igbi akọkọ ti awọn oṣere oṣiṣẹ Oorun ti ode oni ni Nigeria. Ni ọdun 2015 Iwe irohin Pulse sọ orukọ rẹ gẹgẹbi ọkan ninu "Awọn oludari ere sinima obinrin Naijiria ti o yẹ ki o mọ" ni ile-iṣẹ fiimu Nollywood .

↑ "We need to create our own stories: Remi Vaughan-Richards" British Council Arts.
↑ Alan Vaughan-Richards African Modernism Archive Archived 2023-06-26 at the Wayback Machine., Edinburgh College of Art satellite sites (2012).
↑ Darlene Gavron, "Ayo Vaughan-Richards: 'I was Taught that I Can Do Whatever a Man Can Do'" Archived 2015-11-05 at the Wayback Machine. Chicago Tribune (29 May 1988).
↑ James Brooke, "In Nigeria, Touches of Brazilian Style" New York Times (26 March 1987).
↑ Michael Pye (November 9, 1986). "Slave to a proud past". The Observer from London, Greater London, England. p. 52. https://www.newspapers.com/newspage/257811867/.
↑ Era Bell Thompson (February 1975). The Vaughan Family: A Tale of Two Continents", African and American Descendants of Former Slave Have Kept in Touch for More Than a Century. 30. Ebony Magazine (Johnson Publishing Company). p. 56. https://books.google.com/books?id=11BXAAAAYAAJ.
↑ Beti Ellerson, "British-Nigerian Remi Vaughan-Richards talks about “Faaji Agba”, her passion for cinema, and the two cultures she embraces" African Women in Cinema Blog (19 October 2015); blog of the Centre for the Study and Research of African Women in Cinema.
↑ About the Director, African Film Festival New York.

[1] "We need to create our own stories: Remi Vaughan-Richards" British Council Arts.

[2] Alan Vaughan-Richards African Modernism Archive Archived 2023-06-26 at the Wayback Machine., Edinburgh College of Art satellite sites (2012).

[3] Darlene Gavron, "Ayo Vaughan-Richards: 'I was Taught that I Can Do Whatever a Man Can Do'" Archived 2015-11-05 at the Wayback Machine. Chicago Tribune (29 May 1988).

[4] James Brooke, "In Nigeria, Touches of Brazilian Style" New York Times (26 March 1987).

[5] Michael Pye (November 9, 1986). "Slave to a proud past". The Observer from London, Greater London, England. p. 52. https://www.newspapers.com/newspage/257811867/.

[6] Era Bell Thompson (February 1975). The Vaughan Family: A Tale of Two Continents", African and American Descendants of Former Slave Have Kept in Touch for More Than a Century. 30. Ebony Magazine (Johnson Publishing Company). p. 56. https://books.google.com/books?id=11BXAAAAYAAJ.

[Beti-7] Beti Ellerson, "British-Nigerian Remi Vaughan-Richards talks about “Faaji Agba”, her passion for cinema, and the two cultures she embraces" African Women in Cinema Blog (19 October 2015); blog of the Centre for the Study and Research of African Women in Cinema.

[About-8] About the Director, African Film Festival New York.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]